Mike Hord Music

My story.

I started out in Burning Blockade, a band formed with school mates during the punk and new wave years. I played in other bands after that, before we got back together a few decades later as BBTwo. By then we’d grown up a bit, and so had the music.

These days I also write and record as a solo artist.

I grew up listening to artists who looked out at the world and wrote about what they saw. That’s stayed with me. I want my songs to have something to say, whether they’re about the rich and powerful or the relationships that help us get through life.

The lyrics matter to me, but so does having a melody that makes you want to listen again. My music probably sits somewhere in indie pop/rock, although the songs vary quite a bit in style.

The guitar has always been my main instrument. I play a few others too, with varying degrees of competence. Enthusiasm helps.

Songs usually start with a fragment of an idea or a melody that won’t leave me alone. Getting from there to a finished song can take some wrestling, especially when a third verse refuses to behave.

Making
the record.

Tobi Lustigman in the studio
Tobi Lustigman, in the studio.

Once the song is written, I can get properly absorbed in the recording. I like working on arrangements and hearing what happens when other musicians bring their ideas to a part.

I made Votive Offerings with Tobi Lustigman. Much of it was recorded in my home studio, with live drums, horns and some of the vocals recorded at his studio in Barnet. Pete Whitfield recorded the strings remotely, and David O’Dowda did the same with most of the piano.

Tobi and I worked on arrangements and rough mixes together. He’d then take them away and send back updated versions. I always looked forward to those arriving. Sometimes he’d added harmony parts I hadn’t thought of. The man can definitely sing.

The recording came together over roughly six months, working on and off. The songs themselves go back much further.

Mike’s home recording studio

Records that
stayed with me.

Six albums that inspired Votive Offerings, in Mike’s own words.

David Bowie — Heathen

I could have picked almost any Bowie album. His willingness to change styles has been a huge influence on me, sometimes from one song to the next.

David Gray — White Ladder

I’ve listened to White Ladder countless times. It helped convince me to try making an album myself. The songs and the way they’re put together still hold my attention.

Blur — Parklife

Parklife got me excited about writing again. I think it was the lyrics that did it: recognisable people and stories, with plenty of character.

Paul Weller — As Is Now

It’s close between Weller and Bowie, but Weller probably wins for me. As Is Now has the bite and choppy guitars I love. I wouldn’t mind turning the amps up a bit more on my next record.

Prince — Sign o’ the Times

Prince showed how much one person could do as a writer, musician and producer. I could have chosen several of his albums, but this is the one I keep coming back to.

Space — Spiders

I love the mix of crunchy guitars, synths and electronic beats, and those comic-book stories about strange characters. Spiders and Tin Planet both got plenty of plays.

Hear where it led.

Listen to Votive Offerings